The guiding concept for this anthology is simple: a relatively complete panorama of American poetry achievements in the late decades of the 20th century and early 21st century. These poets' common engagement and inclination towards the new in particular social contexts show their fascination for the distinctiveness of poetic achievement.
MIEKAL AND—BRUCE ANDREWS—RAE ARMANTROUT—MICHAEL BASINSKI—TOM BECKETT—CHARLES BERNSTEIN—DANIEL BOUCHARD—LEE ANN BROWN—MAXINE CHERNOFF—NORMA COLE—BEVERLY DAHLEN—MARIA DAMON—MICHAEL DAVIDSON—RAY DIPALMA—JOHANNA DRUCKER—CLAYTON ESHLEMAN—ARIE GALLES—LOSS PEQUEÑO GLAZIER—KENNETH GOLDSMITH—NOAH ELI GORDON—TED GREENWALD—CARLA HARRYMAN—LYN HEJINIAN—PAUL HOOVER—ERICA HUNT—ADEENA KARASICK—JENNIFER KARMIN—HANK LAZER—ANDREW LEVY—TAN LIN—KAREN MAC CORMACK—JACKSON MAC LOW—BERNADETTE MAYER—STEVE MCCAFFERY—DAVID MELNICK—DOUGLAS MESSERLI—LAURA MORIARTY—TRACIE MORRIS—JENNIFER MOXLEY—ALDON L. NIELSEN—MICHAEL PALMER—BOB PERELMAN—NICHOLAS PIOMBINO—KRISTIN PREVALLET—GEORGE QUASHA—STEPHEN RATCLIFFE—JOAN RETALLACK—KIT ROBINSON—JEROME ROTHENBERG—SUSAN W. SCHULTZ—JAMES SHERRY—RON SILLIMAN—JULIANA SPAHR—COLE SWENSEN—ANNE TARDOS—EDWIN TORRES—RODRIGO TOSCANO—ROSMARIE WALDROP—BARRETT WATTEN—DONALD WELMAN.
Resist Much / Obey Little
Inaugural Poems to the Resistance
Edited by Michael Boughn, John Bradley, Brenda Cardenas, Lynne DeSilva-Johnson, Kass Fleisher, Roberto Harrison, Kent Johnson, Andrew Levy, Nathaniel Mackey, Ruben Medina, Philip Metres, Nita Noveno, Julie Patton, Margaret Randall, Michael Rothenberg, Chris Stroffolino, Anne Waldman, Marjorie Welish, Tyrone Williams
ISBN 978-1-944682-32-3 (pbk.) $30.00 738 pages
ISBN 978-1-944682-54-5 (hdc.) $45.00
edited by Michael Boughn & Kent Johnson
Lily Hoang, ed.; Joshua Marie Wilkinson, ed.
A dynamic collection of essays addressing the question of accessibility in experimental writing
Is there any avant-garde? What’s at stake when 100 writers think through issues of accessibility and audience? This is a book comprised of answers—to these questions and their offspring—as various and contradictory as its contributors, ranging from Eileen Myles, Lyn Hejinian, and Joyelle McSweeney to Blake Butler, Jenny Boully, and Rikki Ducornet, among dozens of others. The results here provide discrepant engagements on the most pressing questions of the literary, the political, and the force of what's possible for writers in the 21st Century.
Rosa Alcalá • Eric Baus • Anselm Berrigan • Edmund Berrigan • Susan Briante • Sommer Browning • Julie Carr • Don Mee Choi • Arda Collins • Dot Devota • Tsering Wangmo Dhompa • Graham Foust • C.S. Giscombe • Renee Gladman • Noah Eli Gordon • Yona Harvey • Matthew Henriksen • Harmony Holiday • Cathy Park Hong • Bhanu Kapil • John Keene • Aaron Kunin • Dorothea Lasky • Juliana Leslie • Rachel Levitsky • Tan Lin • Dawn Lundy Martin • J. Michael Martinez • Farid Matuk • Shane McCrae • Anna Moschovakis • Fred Moten • Sawako Nakayasu • Chris Nealon • Hoa Nguyen • Khadijah Queen • Andrea Rexilius • Zachary Schomburg • Brandon Shimoda • Evie Shockley • Cedar Sigo • Abraham Smith • Christopher Stackhouse • Mathias Svalina • Roberto Tejada • TC Tolbert • Catherine Wagner • Dana Ward • Ronaldo V. Wilson • Lynn Xu
Postmodern American Poetry:
A NORTON ANTHOLOGY
A new edition of this groundbreaking anthology revisits postmodernism as a twenty-first-century movement. Postmodern American Poetry: A Norton Anthology galvanized attention on its publication in 1994, making “the avant-garde accessible” (Chicago Tribune) and filling “an enormous gap in the publication annals of contemporary poetry” (Marjorie Perloff). Now, two decades later, Paul Hoover returns to suggest what postmodernism means in the twenty-first century.
This revised and expanded edition features 114 poets, 557 poems, and 15 poetics essays, addressing important recent movements such as Newlipo, conceptual poetry, and Flarf. Bringing together foundational postmodern poets like Charles Olson, Denise Levertov, and Allen Ginsberg with new voices like Julie Carr, Graham Foust, Joshua Marie Wilkinson, and Ben Lerner, this edition of Postmodern American Poetry is the essential collection for a new generation of readers.
An Anthology of Conceptual Writing
In much the same way that photography forced painting to move in new directions, the advent of the World Wide Web, with its proliferation of easily transferable and manipulated text, forces us to think about writing, creativity, and the materiality of language in new ways. In Against Expression, editors Craig Dworkin and Kenneth Goldsmith present the most innovative works responding to the challenges posed by these developments. Charles Bernstein has described conceptual poetry as "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Dworkin and Goldsmith, two of the leading spokespersons and practitioners of conceptual writing, chart the trajectory of the conceptual aesthetic from early precursors including Samuel Beckett and Marcel Duchamp to the most prominent of today’s writers. Nearly all of the major avant-garde groups of the past century are represented here, including Dada, OuLiPo, L=A=N=G=U=A=G=E, and Flarf to name just a few, but all the writers are united in their imaginative appropriation of found and generated texts and their exploration of nonexpressive language. Against Expression is a timely collection and an invaluable resource for readers and writers alike.
The first of its kind--a comprehensive collection of the best of the villanelle, a delightful poetic form whose popularity ranks only behind that of the sonnet and the haiku.
With its intricate rhyme scheme and dance-like pattern of repeating lines, its marriage of recurrence and surprise, the villanelle is a form that has fascinated poets since its introduction almost two centuries ago. Many well-known poets in the past have tried their hands at the villanelle, and the form is enjoying a revival among poets writing today. The poems collected here range from the classic villanelles of the nineteenth century to such famous and memorable examples as Dylan Thomas's "Do not go gentle into that good night," Elizabeth Bishop's "One Art," and Sylvia Plath's "Mad Girl's Love Song." Here too are the cutting-edge works of contemporary poets, including Sherman Alexie, Lorna Dee Cervantes, Rita Dove, Seamus Heaney, Paul Muldoon, and many others whose poems demonstrate the dazzling variety that can be found within the parameters of a single, strict form.
In response to a lack of source works for wide-ranging approaches to teaching poetry, award-winning poet Joshua Marie Wilkinson has gathered ninety-nine micro-essays for poets, critics, and scholars who teach and for students who wish to learn about the many ways poets think about how a poem comes alive from within—and beyond—a classroom. Not narrowly concerned with how to read poetry or how to write poetry, by virtue of their central concern with teaching poetry, the essays in this fresh and innovative volume address both reading and writing and give teachers and students useful tools for the classroom and beyond.
Divided into four sections—“Reflections | Poetics,” “Exercises | Praxis,” “New Approaches to Poetry Courses and Methodology,” and “Talks | Directives”—Poets on Teachingprovides practical, intelligent advice. “Reflections | Poetics” encompasses the most expansive approaches to teaching poetry, where poets reflect variously on what teachers can cultivate in their classrooms. “Exercises | Praxis” consists of hands-on approaches to reading and, especially, writing poems. “New Approaches to Poetry Courses and Methodology” features essays on rethinking specific courses, offering new ideas for course design and pedagogy. “Talks | Directives” contains a series of more informal and conversational discussions geared toward becoming a stronger reader, writer, teacher, and student of poetry.
Poets on Teaching encompasses the most expansive approaches to teaching poetry, where poets reflect variously on what teachers can bring to and cultivate in their classrooms. As Sarah Gridley writes, "The best class will be weirded out—punctured—made eccentric—by the creeping, crawling, flashing, or thundering in of something that is not in the classroom." Exciting and vibrant, this book will be required reading for new and experienced teachers alike.
In the arena of poetry and poetics over the past century, no idea has been more alive and contentious than the idea of form, and no aspect of form has more emphatically sponsored this marked formal concern than the line. But what, exactly, is the line? Emily Rosko and Anton Vander Zee’s anthology gives seventy original answers that lead us deeper into the world of poetry, but also far out into the world at large: its people, its politics, its ecology. The authors included here, emerging and established alike, write from a range of perspectives, in terms of both aesthetics and identity. Together, they offer a dynamic hybrid collection that captures a broad spectrum of poetic practice in the twenty-first century.
Rosko and Vander Zee’s introduction offers a generous overview of conversations about the line from the Romantics forward. We come to see how the line might be an engine for ideals of progress—political, ethical, or otherwise. For some poets, the line touches upon the most fundamental questions of knowledge and existence. More than ever, the line is the radical against which even alternate and emerging poetic forms that foreground the visual or the auditory, the page or the screen, can be distinguished and understood.
From the start, a singular lesson emerges: lines do not form meaning solely in their brevity or their length, in their becoming or their brokenness; lines live in and through the descriptions we give them. Indeed, the history of American poetry in the twentieth century could be told by the compounding, and often confounding, discussions of its lines. A Broken Thing both reflects upon and extends this history, charting a rich diffusion of theory and practice into the twenty-first century with the most diverse, wide-ranging and engaging set of essays to date on the line in poetry, revealing how poems work and why poetry continues to matter.
The Word Made Flesh:
The Word Made Flesh: Literary Tattoos from Bookworms Worldwide is a guide to the emerging subculture of literary tattoos—a collection of more than 150 full-color photographs of human epidermis indelibly adorned with quotations and illustrations from Dickinson to Pynchon, from Shakespeare to Plath. With beloved lines of verse, literary portraits, and illustrations—and statements from the bearers on their tattoos' history and the personal significance of the chosen literary work—The Word Made Flesh is part collection of photographs and part literary anthology written on skin.
Catalog includes an introduction by poet Anselm Berrigan and an essay by curators Katie Geha and Travis Nichols. Also included are original poems by Eric Baus, Laura Solomon, Paul Killebrew, Hoa Nguyen, Sawako Nakayasu, Aimee Kelley, Noah Eli Gordon, Nick Moudry, Kary Wayson, Kristin Prevallet, John Olson, Sueyuen Juliette Lee, Joshua Marie Wilkinson, Jeff Clark, Sara Veglahn, Corina Copp, Dorothea Lasky, Juliana Leslie, Monica Fambrough, and Brad Flis.
Each poem sits alongside its work of art by artists Mequitta Ahuja, Abel Auer, Jules de Balincourt, Nina Bovasso, Echo Eggebrecht, James Benjamin Franklin, Joanne Greenbaum, Mark Grotjahn, Angelina Gualdoni, Laura Owens, Christopher Patch, Lamar Peterson, Sam Prekop, Monique Prieto, Christoph Ruchaberle, Anna Schachte, Dana Schutz, Sandra Scolnik, Amy Sillman, and Whiting Tennis.
How to Purchase
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Like many other major contemporary poets, David Shapiro situates his poetry at the interstices between and among modes and traditions. Possessing a singular musical gift, Shapiro problematizes self and culture and challenges conventional notions of fixed and commodified identity in work that discovers and resists meaning. The thirteen essays (and one poem) collected here illuminate a useful range of Shapiro's major texts through diverse critical approaches and elucidate vital questions that Shapiro addresses about poetry's nature and cultural contexts. While some essays trace parallels between Shapiro and poetic, artistic, and philosophical precursors, others demonstrate how a new generation of poets, seeking brilliant sources of experimentation, have benefited from Shapiro's nearly forty-year investigation of cultural representation in original, candid, philosophical, visionary, witty poems. Foregrounding his resistance to myriad dogmatisms and thirst for democratic experimentation, these essays cogently analyze Shapiro's increasing importance to the American poetry scene.
New Poets of the American West
Edited by Lowell Jaeger. Poets include: Kim Addonizio • Sandra Alcosser • Sherman Alexie • Jimmy Santiago Baca •Ellen Bass • Jim Barnes • Marvin Bell • James Bertolino • Sherwin Bitsui • Judy Blunt • Christopher Buckley • Henry Carlile • Maxine Chernoff • Marilyn Chin • Katharine Coles • Mary Crow • Matthew Dickman • Gary Gildner • Rafael Jesús González • Dana Gioia • Samuel Green • Mark Halperin • Sam Hamill • Joy Harjo • Jim Harrison • Jane Hirshfield • Garrett Hongo • Christopher Howell • Linda Hussa • Lawson Fusao Inada • Mark Irwin • Lowell Jaeger • Ilya Kaminsky • Melissa Kwasny • Lance Larson • Dorianne Laux • David Lee • Philip Levine • Adrian C. Louis • Clarence Major • Ron McFarland • Sandra McPherson • Jane Miller • Dixie Partridge • Simon Ortiz • Carol Muske-Dukes • Robert Pack • Greg Pape • Lucia Perillo • David Ray • Lois Red Elk • David Romtvedt • Alberto Rios • Pattiann Rogers • William Pitt Root • Wendy Rose • Vern Rutsala • Kay Ryan • Reg Saner • Leslie Marmon Silko • Maurya Simon • Floyd Skloot • Gary Soto • Kim Stafford • David St. John • Primus St. John • Luci Tapahonzo • Rawdon Tomlinson • Bill Tremblay • David Wagoner • Robert Wrigley • Al Young • and many more!
E-X-C-H-A-N-G-E-V-A-L-U-E-S: The Final XIV Interviews + One contains interviews with Ernesto Priego, Catherine Daly, Karri Kokko, Jill Jones, Javant Biarujia, Barry Schwabsky, Peter Ganick, Joseph Lease, Stephen Vincent, Alan Davies, Noah Eli Gordon, the late Mary Rising Higgins, Jessica Grim, & Tom Mandel, plus more than 100 pages of poetry from those interviewed, much of it new. The interviewers this time around are Tom Beckett, Bruce Holsapple & John Tritica, Thomas Fink, & Sheila E. Murphy. The + One is the shoe on the other foot. Done especially for this final volume is an interview by Nicholas Manning with Tom Beckett, the creator & curator of this important resource for contemporary poetics.
Verse 1995-2004: The Second Decade
600+ pages of poetry by writers from more than 20 countries
These poems will do ANYTHING. Edited by Reb Livingston and Molly Arden from No Tell Motel (www.notellmotel.org), this anthology includes seductive poems by over 80 of today's most discreet poets including Aaron Anstett, Bruce Covey, Catherine Daly, Denise Duhamel, Jill Alexander Essbaum, Amy Gerstler, Noah Eli Gordon, Jennifer Michael Hecht, Cynthia Huntington, Kirsten Kaschock, Amy King, Shin Yu Pai, Lance Phillips, P.F. Potvin, Standard Schaefer, Ravi Shankar, Heidi Lynn Staples, Allyssa Wolf and others.
PP/FF: AN ANTHOLOGY, EDITED BY PETER CONNERS
As coeditor of the online magazine Double Room, Peter Conners has focused on the forms of Flash Fiction, Prose Poetry, and unnamable in-betweens for the last three years. Now, collecting work from both poets and fiction writers, Conners presents a collection that's has everyone talking.
From the "Introduction to PP/FF" by Peter Conners
"PP/FF is meant as a label that locates the territory of prose poetry and flash fiction by symbol rather than by language prejudiced by old genre baggage. PP/FF is prose poetry and flash fiction balanced on a makeshift teeter-totter that never lands. PP/FF is a symbol of a vital and important literary form that is constantly in flux, appropriating, moving and growing. Perhaps the writers in this anthology will be thought of as PP/FF writers. Perhaps poets, fiction writers, or followers of Orpheus. I have no interest in creating new confinements. Genre is easier to sell, to teach, to quantify and review, but what does it have to do with creating new art?"
Poet’s Bookshelf IIContemporary Poets on Books
That Shaped Their Art
Edited by Peter Davis and Tom Koontz
101 poets list books that have been especially important in their artistic development, and offer commentary.
Sandra Alcosser Jack Anderson Philip Appleman Ivan Argüelles Rane Arroyo Mary Jo Bang Ellen Bass Luis Benítez Robert Bly Marianne Boruch Daniel Bourne Andrea Hollander Budy Mairéad Byrne Nick Carbó Maxine Chernoff Tom Clark Joshua Clover Andrei Codrescu Martha Collins Shanna Compton Stephen Corey Alfred Corn Barbara Crooker James Cushing Catherine Daly Linh Dinh Edward Field Forrest Gander Robert Gibb Sandra Gilbert Diane Glancy Kenneth Goldsmith Noah Eli Gordon Stephen Herz H. L. Hix Anselm Hollo Janet Holmes Cathy Park Hong Kent Johnson Marilyn Kallet Ilya Kaminsky Robert Kelly Amy King Jennifer L. Knox Ted Kooser Greg Kuzma Ben Lerner Haki R. Madhubuti David Mason Gail Mazur Joyelle McSweeney Robert Mezey Leslie Adrienne Miller Roger Mitchell Judith Moffett K. Silem Mohammad William Mohr Carol Moldaw Jennifer Moxley Lisel Mueller Eileen Myles Aimee Nezhukumatathil Charles North Kate Northrop Mwatabu Okantah Carole Simmons Oles Jena Osman Alicia Ostriker Linda Pastan Simon Perchik Bob Perelman Roger Pfingston Marge Piercy Katha Pollitt David Ray Judy Ray Alberto Ríos Jane Robinson Robert Ronnow Jerome Rothenberg Jerome Sala Dennis Schmitz Grace Schulman Lloyd Schwartz Purvi Shah David Shapiro Reginald Shepherd Dale Smith Thomas R. Smith Kevin Stein Carolyn Stoloff Eileen Tabios Thom Tammaro Tony Tost Diane Wakoski Diane Ward Barrett Watten Miller Williams A. D. Winans Mark Wisniewski Carolyne Wright